Luba Praskoviyna Yustineva would never describe herself as a woman of
secrets. As a government secretarial clerk she does occasionally come
into possession of sensitive documents, but never once has she
considered herself a gatekeeper to forbidden knowledge like her
counterparts in the Ministry of Intelligence or other such high-stakes
offices. She has seen few ministerial assistants and even fewer real
ministers, and those have always been by chance; she's really more like
a railway switchyard than a border crossing, directing and redirecting
traffic from ports unknown to destinations unvisited. The work may be
dull, but it is straightforward, and given that she's barely 27
and making triple the minimum wage working 9-to-5, five days a week, her
life is, by all accounts, comfortable, and by national security
reckoning, reassuringly average.
Lounging in her living room armchair she is struggling to finish the
last pages of the chapter to her current read while the national news
reverberates from the television across. "People call me old-fashioned,"
says a bespectacled woman with a greying blonde ponytail and black
pantsuit with white collared shirt to a figure off-camera, "But let's
not forget that we are still only a decade into emancipation. Emotions,
and imaginations, run high. I am simply concerned that the government is
not taking the full consequences of the bill seriously. The definition
of marriage has shifted, but at its heart it is a covenant, the
symbol of a sacred union, not some legal contract to be faxed out to
order..."
Replacing her bookmark Luba snaps the story shut before retrieving the
remote control and flipping through the channels. Having been born well
into the Fourth Wave, she is a devout Feminist, but not particularly
political and averse to hardliners on either side. She is not a fan of
Tasha Nastasjena, leader of the conservative organization "Real Women";
while she seems nice enough as a person, as a policy advocate she always
wants to make people feel guilty for opposing her, as though
she were the mouthpiece of Mary herself; and whatever sympathy Luba
might hold for her few reasonable stances is shouted into submission by
the militancy of her partisan platforms.
"That was getting interesting," remarks a voice far too low and
far too gravelly to be mistaken for a woman. Sitting cross-legged on the
floor in front of a three-cushion heirloom chesterfield is Luba's own
personal man. To say that she found him in the woods and he followed her
home would only be half-true: during a trip out east the summer previous
she'd found him, battered and bloody, in the forest by her dacha.
Feminist indoctrination commanded that "man sightings" be reported to
the authorities immediately, but upon registering the sheer helplessness
of this creature, Luba's human compassion (as well as lack of telephone)
threw everything she'd learned in school out the window, and she dragged
the semi-conscious stranger back to her place, fixing him up as best as
her first-aid kit enabled. She spent the rest of the vacation nursing
this agent of the Great Satan back to health, by which time she had
developed something of a fondness for him. He was clearly a man of
experience, with a weathered face and greying hair, yet he had a roguish
handsomeness that teased that treacherous biological instinct to
surrender to Patriarchal servitude. By his dress and general demeanour
he was well-acquainted with outdoor life, probably some stray from the
hordes, maybe even a fighter; she asked him where he came from, to which
he only replied "there somewhere", with the air of one who didn't keep a
fixed home.
He was the manliest man she had ever known, and the first man
she'd actually met since the Great Divorce. She'd been braced for a
brute, smelly and soiled with a sailor's mouth and a one-track mind; yet
even though he'd been a few days from a bath and bore the stubble of a
wanderer, he carried himself with a reserved dignity that brought to
mind those old oppressive fables of so-called knights-errant. He never
once raised his voice (even in pain), never asked personal questions
beyond the circumstance of their immediate lodging, and by and large
made no indication he had any interest in her at all. Indeed,
by his mannerisms one might be led to think he was utterly oblivious
both to the Great Divorce and the years leading to it. To put it simply,
Luba was star-struck. At the end of the trip when he'd recovered enough
that he could be reasonably expected to survive on his own, rather than
do the sensible thing and send him on his way, she committed the most
unforgivable sin to reason and Feminism.
She invited him home.
As expected, he was too much of a gentleman to impose upon her. But it
wasn't some reverse-psychology ploy, a trick to make her think
she was leading him; he seemed to genuinely want to
press on. Whither he wouldn't say, but she surmised that even if he
had once followed a horde, he had no interest in returning.
Only after her third impassioned insistence did he finally relent and
agree to settle down. Despite the unforgiving social climate and
labyrinthine state regulations, it is not impossible to second a man for
one's own purposes. The fact that his name is Sasha made the
registration process somewhat smoother: 'common sense' prejudices unisex
names toward transgendered readings that skip the more invasive
questionnaires. The highest hurdle is the virility test: legislation
following the Great Divorce mandates all males of reproductive age
reside in the breeding camps for as long as they remain viable genetic
donors. The most popular way of avoiding the "sperm draft" is voluntary
castration; Sasha was unwilling to knife himself but knew enough
old-school biochemistry that they managed to cheat the tests. At the end
of the ordeal, he was certified a "non-viable donor" and Luba received a
title deed declaring him her property. Because his name is on government
file, she can't actually call him her biggest secret;
nonetheless it has earned her considerable envy amongst her
friends.
"They replay these headlines at 11," she replies matter-of-factly, "Not
my shows."
He watches the parade of programmes flash across the screen before
abruptly turning to her. "Do you ever wonder if it's all just a
show?"
"What do you mean?"
"The Fourth Wave." Grinning, Luba turns down the volume before pivoting
to face him. Since Sasha can barely poke his head out the door without
being pelted by improvised projectiles he has no chance of work, and
spends virtually all his time inside the house. She never asked him, but
within days of moving in he took charge of the daily chores; likely his
way of earning his meagre keep. In spite of years of Women’s
Empowerment, it actually took her almost a month to acclimatize herself
to the idea of a servant. When he's not busy he's either reading or
watching TV news, and unlike his mistress has an acute interest in the
full spectrum of politics, regularly teasing her with philosophical
debates. "All of this sexual liberation, I mean. Madam Nastasjena
does have a point, if a heavily skewed reading of it: thirty
years ago polygamy wouldn't even be conscionable, and now
they're fighting not simply to legalize it (which in practice
it already is), but to enshrine it with the same moral
authority as 'traditional' marriage."
"And what's so wrong with that," she retorts gaily, swinging left leg
over right, "If these women truly love each other?"
"Nothing, assuming that they're capable of full and
unconditional love between multiple spouses. And, given the statistics
on 'traditional' marriage, our first question should be: Do they mean
it? But..." He shuffles about to face her, stock-straight like a child
at storytime. "My question is: Where is the political freedom?
Where is the social liberalism? I don't mean for men; I mean
for you. Elections are not free, they're not fair... The Party
of the Motherland has been in power since as far back as I've been able
to read. The only elections of consequence are conducted by the party
caucus, and I don't even know if those are open."
"You must understand, dear Sasha," she begins, leaning against the
armrest with the let-me-tell-you-a-secret look, "The Volga is in a state
of war. We're fighting for our survival against the manhordes out there.
As they say: love and war, anything goes. It may not be the most
representative arrangement for daily life, but what else do we
do? Break ranks and let the barbarians rend civilization asunder?" She
shoots him a wink. "Who'll provide your plumbing? Who'll keep your head
dry? Who'll earn the money to buy the ingredients to your incomparable
Chicken Kiev?"
Sasha grins, rising to his feet. "Of course, milady, how arrogant of
this wretched man-cur to presume himself versed in women's
prerogatives." Their dialogues have developed a ritual pattern: He
broaches a topic, she goads him on; he lays out a detailed argument, she
explains he's still thinking in terms of Patriarchal privilege; he
concludes with a self-deprecating apology and they both walk off
smiling. Getting to know him, Luba finds this wry wit to be one of his
salient personality quirks and a subversively attractive foil to her own
plain-faced (albeit not entirely naïve) optimism, and the two
have developed a knack for playing off each other. Were such programmes
not banned by the telecommunications regulatory board, the two might
inspire a new take on The Odd Couple.
And yet while their stage-play suggests a mutual condescension, she
does, more often than not, take him seriously: despite being
pulled from the woods his detailed grasp of both social and
party politics bears an insight surpassing many of her colleagues', and
indeed (though she would be loath to admit it, even to him) her own. How
he acquired such knowledge, and how he managed to stay intellectually
stimulated for the past ten years is one of the many mysteries clinging
to him. He has never described his past in detail, leaving her to wonder
what sort of life he used to lead. Perhaps he was one of the last on
board that sinking ship of the Russian Federation?
He makes his way to the kitchen; she was surprised to learn he is also a
refined cook. A moment later he pops back into the room. "Salad, or
stir-fry?"
"Stir-fry sounds good." A moment passes and she realizes he hasn't
moved. "Something wrong?"
He stares at the television, but his eyes aren't following the picture.
"It's just... bah, but I've already tired you with my politics!"
"No, really," she fixes him with a meaningful stare, "What is it?"
He takes a moment before speaking, jaw sliding back and forth. "What I
said earlier, about diversionary politics... Have you ever noticed how
the most controversial sex-lib bills coincide with equally-weighty yet
completely unrelated legislation?"
Luba's brow furrows. She's not well-versed in Volgan policy timeline so
she can't actually answer, but she gathers that he's done some digging
online. "We're not in the midst of a hot-button issue right now," she
manages, "Not that I've heard, at least."
"I know," he mutters, unfocused gaze returning to the screen, "And that
worries me."
Luba and Sasha by @Thorvald (El Thorvaldo)
A roleplay interlude prepared for, but never aired in the tragically short-lived FemIOT by Omega124. The game's premise is a catastrophic meteor shower in 2015 leads to protective measures for the surviving male population and the rise of women as the uncontested social majority; unspecified decades later the polarization of the sexes has become so intractable, and female chauvinism so pervasive, that the men literally leave civilization to become wandering hordes. Omega has a reputation for satirizing third-wave feminist militancy and the game was greatly-anticipated; unfortunately, very few players took the end product seriously and it was axed after the second turn. I was one of those precious few that did, and I shall forever rue its passing: amid a virtually unbroken line of basic geopolitical arenas, this game not only offered a truly original setting, it opened itself up to such a wealth of social debates that I began to wonder if the forum moderators would let us push the discourse as far as I aimed, at least.
My country during the game was the Volgan Republic, which aside from being a matriarchy was otherwise roughly equitable to present-day Russia. In addition to general themes of layman's perspective and forbidden romance, Luba and Sasha were part of the dramatis personæ of a long-arc narrative I'd conceived for the game concerning the government's secretive plan to forever settle the gender question, known only as Proyekt 'G'. Luba would have been transferred to the Ministry of Science where happenstance would bring her into accidental possession of classified details on the project, which out of her own suspicions and through their established trust she would share with Sasha; he is in fact a former special forces soldier of the Russian Federation (eroded by the game's history to Muscovy), which I had construed as the last stronghold of gender equality in (eastern) Europe and that was eliminated through foreign invasion a little over a decade before the game's official start. Sasha was part of an elite unit safeguarding Proyekt 'O', an attempt by the Moscovite military to develop a means of fending off its many hostile neighbours; he realizes that Proyekt 'G' is drawing strong influence from that programme and the implications thereof, and they begin a private investigation into what, precisely, the government is up to. Their snooping attracts police attention and they are eventually arrested by two main-character officers, and during interrogation Sasha would reveal the Horrible Truth™.
And all of this under the aegis of an honest philosophical interrogation of gender relations. So yeah, just a little disappointed the game didn't work out.
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