@Minzoku
Julie Miyamoto

Bendersona: Lifebender
Bendersona: Lifebender by @Minzoku (Julie Miyamoto)

So I'm late to the party and still pretty new to this Bending thing—sorry if this has been amply covered before. From what I understand, it's possible to refine "bending" to a more modern interpretation:

Earth = Solid [inorganic] Water = Liquid Air = Gas Fire = Energy [Void = Spirit]

As the show itself covers [YAY SPOILER feel free to stop reading if you're even further behind than I am], the classical elements sometimes include Metal, which is simply refined Earth. Sort-of covered is Wood, which enters the territory of organic material, which I presume is "unbendable" except by particularly powerful Benders who can overcome the organism's own willpower [self-bending?].

What I took for this interpretation was the remainder of solids not covered by Earthbending: organic material no longer in control of itself [read: dead]. I did play with the idea of Woodbending, but that seems particularly limited compared to the other elements, even when expanding the definition to include all types of plant life—but, also, why limit it to plants? Where would sponges lie? Granted, many of the components of organic life are found in "earth"; dust is comprised of bits of insect bodies, hair, dead skin, etc., so perhaps it's really just a refinement of Earthbending in the opposite direction.

Also, a pain to draw. But I needed some practice drawing action stuff, so.

Category:
Rating:
Everyone
Class:
Rough / Concept
Submitted:
10y292d ago
Tags:
None
Other Work By @Minzoku

Comments & Critiques (0)

Preferred comment/critique type for this content: Any Kind

Leave a Comment

You must be logged in and have an Active account to leave a comment.
Please, login or sign up for an account.

What kind of comments is Minzoku seeking for this piece?

  • Any Kind - Self-explanatory.
  • Casual Comments - Comments of a more social nature.
  • Light Critique - Comments containing constructive suggestions about this work.
  • Heavy Critique - A serious analysis of this work, with emphasis on identifying potential problem areas, good use of technique and skill, and suggestions for potentially improving the work.
Please keep in mind, critiques may highlight both positive and negative aspects of this work, but the main goal is to constructively help the artist to improve in their skills and execution. Be kind, considerate, and polite.