@Thorvald
El Thorvaldo Moderator

NegaDYOS: Gee-wee's Playhouse
NegaDYOS: Gee-wee's Playhouse by @Thorvald (El Thorvaldo)

My 17th submission to DYOS XII: [link]
See original post for musical cues.

One fateful night, I was bingeing the Bad Webcomics Wiki, and at the bottom of the Megatokyo page saw a link to a little parody called Negatokyo. The premise was simple: Take the original MT pages, wipe the text boxes, and add new captions. It was shortly after a read-through that I realized how much fun could be had applying this to DYOS—though unlike NT and the similarly-premised Dominic Durgan, my jokes wouldn't be a neverending cavalcade of abrasive sexual indiscretions. And so NegaDYOS was born.

It was pretty much inevitable that the first comics I'd spoof were from the infamous Grudge-Match of 2010, when @GenMarshall had hit Peak Depression and nobody was willing to call out his wish-fulfilment for risk of him quitting the project. The arc was pretty much doomed from its first footstep: the Hacker magically appears in the G-man's Realm and, despite (at the time) being presented as a codebreaker with some overpowered toys, somehow manages to talk an interdimensional being of dubious aims into going against his own principles and releasing Samus, essentially, on a whim.

Only later I learned the whole idea had originally come from a suggestion by Tani. I WARNED YOU ABOUT FURRIES, BRO!!!says2plz

Original comic by @GenMarshall

[Originally submitted to DeviantArt October 2017.]


Comments & Critiques (0)

Preferred comment/critique type for this content: Any Kind

Leave a Comment

You must be logged in and have an Active account to leave a comment.
Please, login or sign up for an account.

What kind of comments is Thorvald seeking for this piece?

  • Any Kind - Self-explanatory.
  • Casual Comments - Comments of a more social nature.
  • Light Critique - Comments containing constructive suggestions about this work.
  • Heavy Critique - A serious analysis of this work, with emphasis on identifying potential problem areas, good use of technique and skill, and suggestions for potentially improving the work.
Please keep in mind, critiques may highlight both positive and negative aspects of this work, but the main goal is to constructively help the artist to improve in their skills and execution. Be kind, considerate, and polite.